The rest of the painting is covered with a strange light blue, organic background with shades of white for a termpaper, blue, yellow, and red. The streaks of blue examples of essays about personal experience, yellow and white at the background appear like water running down the entrance of the cave. The red and yellow colors appear to be from the reflection of the sun's rays against the water running down the entrance of the cave. The illusion of water running down the entrance of the cave is enhanced by the curvy shapes of the blue streaks of color at the background. The water would also explain the blurred vision. Nothing on the other side of what appears like a cave is visible apart from the strong bright light. Roth’s emergent practice, therefore, can be understood Stephen Westfall is a painter about new york city essay, art critic, contributing writer for Art in America, and faculty member at the Mason Gross School of the Arts, Rutgers University. He has exhibited in the United States and abroad for over a decade, showing at Lennon Weinberg Gallery, Galerie Zurcher, and Galerie Paal. His work can be found in numerous public collections. He is the recipient of fellowships from the National Endowment for the Arts essay about my childhood dreams, the New York State Council of the Arts, and the Guggenheim Foundation. In addition to Art in America components of thesis writing, his writings have appeared in The New York Times, Arts, Art News, the Partisan Review, and the New Criterion. He holds an M.F.A. from the University of California, Santa Barbara and has taught at Bard College and the School of Visual Art. STEPHEN WESTFALL: On Richard Roth's New Paintings - Stephen Westfall, 2007 - from the introduction to the Richard Roth exhibition at Reynolds Gallery, November 2007
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